A Story That Seeps To The Bone — Alma Katsu Interview
October 21, 2011
Careful what you wish for. That’s what Alma Katsu’s book THE TAKER whispers long after the cover has been closed. You’ll hear it, a small voice on a breeze. A cool warning to check your motives and expect them to find you out. Think twice about obsessions that lead you down winding paths. Inspect the lessons in your life and see if they hold true. And most of all, take courage. True love can overcome our greatest fears. Perhaps even conquer death. If you’re willing to pay the price…
Alma’s dark and lascivious story may not be for everyone — and folks, it will turn some hairs white and make some skin crawl, and probably offend the gentler souls among us. But the writing will transport you. It will make you look over your shoulder. And like all genius storytellers, Alma’s gift to the reader is a story that seeps into the bone and becomes your own. Like it or not.
I’m honored to have you here today, Alma. Welcome!
“Alma Katsu takes the reader by surprise in the first chapter of her mesmerizing debut and never stops delivering. What a wonderful book! A dark, gothic, epic worth savoring. A sweeping story that transcends time as it moves effortless from the tempestuous past to the frightening present. Enchanting and enthralling! No question—I was taken!”
—M.J. Rose, international bestselling author
“Alchemy and love prove a volatile mix in Katsu’s vividly imagined first novel, which toggles between the present and the past… Katsu shows considerable skill in rendering a world where Adair’s unspeakable evilness and Lanny’s wild passion make the supernatural seem possible. The result is a novel full of surprises and a powerful evocation of the dark side of romantic love.”
—Publishers Weekly
“Alma Katsu’s THE TAKER is a frighteningly compelling story about those most human monsters—desire and obsession. It will curl your hair and keep you up late at night.”
—Keith Donohue, NYT bestselling author of The Stolen Child
What is your favorite quality in a person?
I don’t think I have a favorite quality. I don’t mean for this to sound flip, but I try now to appreciate people for who they are. I’ve had to work at this. For many years, I was shaped by my career, where I had to manage teams working under very high pressure, and tended to view the people in terms of what I needed from them (which was the ability to work under high pressure!) Now I realize that just about everyone has something interesting and unique to share with the world if we slow down & pay attention. I don’t mean to sounds Pollyannish. I realize there are some people who don’t deserve your attention, but you have to at least give them a chance. I also try to learn something from everyone I meet.
What is your least?
Close-mindedness. The world is a big place, full of things you haven’t even begun to imagine. I don’t understand people who think they have the answer to everything.
As a child, did you dream of becoming a writer?
Oh yes, from elementary school. I had no idea how to do this, though, no role model. The only job I saw (at the time) that paid you to write was as a newspaper reporter, so that was how I started. It was helpful in that I got to be around writers. But making the jump to fiction seemed like an impossibility.
Who/what influenced you to pursue your dreams?
I grew up in a very practical family, so I wasn’t encouraged to be a writer. I’m from the generation that was told not to take risks and to get a safe job. I’m not saying I got me bad advice: my father lived through the Depression, my mother was a child in Japan during WWII. They knew firsthand that life could be tough and uncertain. I ended up following their advice and as a result, had a long government career. Luckily, it turned out well.
But at a certain point in my life, I wanted to try again to write fiction. I didn’t think I’d get published; I just wanted to see if I could master a craft that was so complex and unquantifiable.
What is your greatest love?
Wow, that’s a tough one. I’d have to say my husband. We’ve been together over twenty years and I’ve learned a lot about life from this relationship. But if you asked what my purest love was, I’d say my dogs. Especially the one I raised from a pup. That’s probably the closest thing I’ve felt to unconditional love, because it’s impossible for them to hurt me.
What is your greatest fear?
I try really hard not to be afraid of things. What’s the worst that could happen? You experience pain, maybe you die. You’re going to die anyway. I’ve had to face some terrible fears in my life and luckily, I was young & strong enough to deal with them. I know I probably won’t be so lucky when I’m older.
What is your favorite place?
Lying on the couch in my office where I write, preferably with my dogs. It’s so comfortable.
If you could give a bit of sage advice to novice writers, what would it be?
It’s about the journey, not the destination. Trite but true. You’ll have the most fun figuring out how to write your story, so try to concentrate on that and not let yourself get anxious over finding an agent and selling your book.
The Band Played On
October 5, 2011
There’s a song in my head since I woke up this morning. I haven’t heard it since I was a little girl, a long while now, but it’s still there. Just as clear as a bell. I know every lyric and I am taken back to a time when I twirled in sock feet across the slick top of my grandmother’s living room coffee table. She had an old record, so thick and stiff it was like glass. I loved the sound of it, the hissing and scratching when she’d put it on the enormous record player, the needle touching down with a little gasp before the music would start. And then, I’d watch my grandmother’s face. One breath, two. No matter how many times I made her play that song, or how she protested and begged me to settle for a different tune, no dice. Because none of her other records did what this one could do. With the first strains of that melody, the corner of her mouth would lift.
Magic.
There was a story in the song. It was simple: a boy and a girl, dancing, thrilling to one another. That was enough to make me love it. And trust me, I didn’t need an excuse to get up on that table and perform waltz after waltz, all dolled up in my grandmother’s square-dancing slip, delighted with the way those skirts billowed out around my little legs. I knew my grandmother was smiling at me. I was a little queen, then. But she had another smile, a secret smile, one I’d never seen before. It puzzled me and bothered me and made me dance harder and wilder, trying to pull her attention back to the wonder of me.
For the first time, I must have realized the woman in the little farmhouse – the person I thought I knew everything about, whom I believed had set her days to revolve solely around our family – had lived a life before us. Each time she played the waltz, I caught a glimpse of that girl. A stranger. A mystery. A pure wonder.
She taught me to make biscuits. She taught me the Lord’s Prayer. She taught me other things, too, like how to manipulate or regret decisions. She was quick to laugh, quick to judge, full of such pride in her family and weighed down with sorrows for brothers she couldn’t redeem. She loved her work, but never felt she was a smart woman. She loved her husband, and they were a gruff pair. She could work like a man in the summer garden, always lamented that she couldn’t grow a rose, and she never missed an epidsode of ‘Dallas,’ come Friday night. I knew all of this and I remember her that way to my children.
But today, I’ll put on a waltz. Because I know the corner of my mouth will lift, so like hers. And my daughter will wonder. She’ll watch me and weigh all the things she understands about my life against all the things she fears and hopes for her own, and she will tuck away the seed of what my grandmother’s waltz taught me.
She had a secret…
Hemingway Would’ve Bought Her a Drink
August 8, 2011
I’d been trying for weeks to write this blog post. On a recent trip to Paris, I was lucky to visit the Hemingway Bar and was charmed all round. But my memory of the place felt like a troubling dream. The details of the bar itself were clear in my mind, but I kept trying to recall something more visceral – a feeling, something out of joint with the rest of my experience. It remained just out of reach. I stared and stared at the photographs, trying to rediscover what troubled me.
“Why do you look like that?” my husband asked while I scowled at the photo. He was annoyed that I was obsessing. “It was just a bar. A good drink. Expensive,” he said. He didn’t remember anything out of the ordinary. “What do you think? It was haunted?” he teased.
And that’s when I realized, I hadn’t been looking for a detail in the photograph. I’d been looking for a person.
She was sitting at a table in front of the bar, smack in the center of the room, the first thing you’d see when you walked in the door. But I didn’t see her, not at first. I was too busy looking at the memorabilia, the bust of Hemingway, the old typewriters in alcoves, the framed postcards from his world travels, caught up in the nostalgia and half expecting to hear Papa himself whisper a dirty joke in my ear.
It was dark and so was she, her hair, her clothes, her skin, all black. She was thin, with long arms and long legs, impossibly languorous. She must have been there when we came in but we’d been sitting at our table – and I was facing her, mind you – long enough to order our drinks and take in the atmosphere, before she uncrossed her legs. That small movement drew my eye and it seemed like she appeared out of nothing. I swear, she was like one of those pictures you look at once and see an old man and then blink and see the hidden image of a horse and cart.
I waited on my drink, but I wasn’t talking to my husband or imagining Paris being liberated. I was watching the woman, how still she could be, how she occupied space without disturbing it. Except for the occasional sip from her drink or a nod of her sleek head, she never moved. An older gentleman approached her table, asked if he could take a seat. She was gracious, but not interested. She was young. She was not anxious.
But I was. I started straightening my clothes, worrying about my jet-lagged complexion and my fuzzy hair. I took a drink from my gorgeous, rose-adorned glass and swallowed wrong, coughed. I smiled for a couple of silly photographs with my husband and then we paid the bill. And all the while I kept watching the other woman. I was an American tourist, out of place, giddy and too friendly. She could have been anyone. Or no one. If I blinked, she could disappear altogether. How did she do that?
It was a secret she wasn’t sharing. Still isn’t.
Look. Right there she is, in the photograph I took of the bar. I hadn’t even noticed her yet, and maybe that’s why I’d forgotten her when I went back to look at these images. Do you see her? A dark outline? Will you wonder about her the way I do? Is she a ghost? Is she waiting for someone? Is she lonely?Most probably at some point in her life, she will be all of those things. But for me, every time I look at this photograph, I search her out. Mesmerized by never knowing.
Wouldn’t Hemingway love that? He’d have bought her a drink, I bet. He’d have given her a thousand names.
A Little Perseverance – Lisa Turner Interview
July 28, 2011
My guest interview today is with another woman who inspires me: author Lisa Turner, an indomitable personality and new talent whose soulful mystery, A LITTLE DEATH IN DIXIE, released June of 2010 by Bell Bridge Books, impressed me as powerfully as the author herself.
Here’s a nice quote on this debut novel:
“Memphis, the Mississippi River, and the underbelly of human nature they’re all exposed in the dark brew of this fast-paced Southern Gothic suspense. Page-turning and atmospheric, this tightly-plotted novel turns the screws and sends readers racing to its surprise conclusion.” ~Michael Finger, Senior Editor, Memphis Magazine
Born in Memphis, Lisa Turner spent her childhood either on the back of a horse or reading fiction. At times she did them simultaneously. Flannery O’Connor and James Lee Burke were her literary heroes long before she knew the term “Southern Gothic.”
From the experience of managing her family’s interior design firm, she earned a PhD in the peculiarities of human nature . . . talk about Southern Gothic!
More recently, she and her husband bought a home in Nova Scotia, where the landscape changed from cotton fields to lobster boats. She currently shuttles between the Deep South of her childhood and the wildly beautiful coast of Nova Scotia.
I know you’ll enjoy getting to know her through these thoughtful and provocative responses and I’m so thankful she took the time to share today.
Welcome, Lisa!
Q. What are your favorite characteristics in a person?
A. Dependability, humility, and a touch of fire. Melded, those qualities produce a person of honor without arrogance, and yet with a spark that drives them to accomplish great things.
I enjoy watching Charlie Rose interview the “brightest and best” in science, film, politics, architecture, literature—every field imaginable. Charlie regularly asks the question, “How did you achieve this breakthrough; how did you create this masterpiece?” The really great ones look a little puzzled. They answer, “I just worked hard.”
Q. What are your least favorite characteristics?
A. That would be “envy,” defined as the unhappy feeling of wanting someone else’s success or possessions for oneself.
What motivates envy? What does one person’s achievement have to do with another person’s success or lack of it? Of course, I’m not referring to a hungry person watching someone else eat a quarter-pound cheeseburger. That kind of imbalance and lack of opportunity starts wars.
Pursue your passion to the best of your ability and pay no attention to what someone else has on their plate.
Q. As a child, did you dream of becoming a writer?
A. Reading was a big part of my childhood, and I enjoyed writing, but I never said to myself, “One day I’ll be a writer.”
However, I was always fascinated by words. Even as a child, combinations of words were like music for me. I still overwrite sentences because I’m hunting for the music. The next day I’ll have to rewrite the whole thing, because I’ve missed the point. A scene has to be more about the story and the character’s voice and emotion than the lyricism of the words.
Q. Who/what influenced your dreams?
A. I love, love, love old movies. They’ve influenced every area of my life. The best of them provide great storytelling, dialogue, wonderful sets, and costume design. When I write a scene, I like to use strong visual details along with a lot of texture. If I can infuse a bit of Southern culture into the mix, I’m happy.
I’m also influenced by writers who open with killer first paragraphs. After a couple of pages, you can tell if they have the talent and the authority to build on their beginning. Any writer who starts strong and is able to carry that momentum through to the end is impressive. No one knows what an accomplishment that is until they try it.
Q. What is your greatest fear about writing?
A. That’s easy. I’m afraid I’ll write something trite or obvious without realizing it. It helps to have astute critics and great editors looking over your shoulder. But it’s important to choose those readers carefully. Be sure they don’t have a hidden emotional agenda, like envy, that would lead to distorted advice. Fortunately, I’ve had supportive people helping me all the way.
Q. If you could give a bit of sage advice to novice writers, what would it be?
A. Read everything. Stay current with your genre. Talk to other writers. Study the craft by reading books about writing and attend professional conferences. Mastering the basic tenets of storytelling will save you the misery of wondering why your beloved manuscript, after hundreds of hours of hard work, just doesn’t cut it.
Pay attention to the details of life and make notes. Be aware of the subtext that goes on in everyday conversation. Hunt for fresh story ideas until one grabs your imagination and you can’t stop thinking about its possibilities.
I have a note card in the bookcase to the left of my desk. It says: “Never, never, never give up.” Do that, do the work and you’ll have a manuscript that will make you proud.
Writers Who Inspire – Hope Clark Interview
July 15, 2011

Writer’s Digest 101 Best Web Sites for Writers – 2001-2011
Over a decade of recognized excellence
Blog – www.hopeclark.blogspot.com
Twitter – www.twitter.com/hopeclark
Facebook – www.facebook.com/chopeclark
Save Your Soul Pound Cake
July 8, 2011
It’s a hundred degrees here in north Georgia and too hot to do much of anything except remember summers in my Granny’s kitchen. Usually, she had a pressure cooker going full steam, putting up vegetables from the garden. I’m sweating in my house and I have air conditioning and steam-in-a-bag veggies from Publix.
For some reason, that makes me want to get out my cookbook. It’s a binder full of recipes she put together over the years and slid into plastic sleeves so I’d be able to feed my husband and children right one day when she wasn’t around to tell me how to do it anymore. Every time I pull out these recipes, I think of her. And today, she’s telling me I need to quit worrying about the – forgive me, Lord – bikini I’ll be squeezing into in a few weeks when I travel to Europe, and sustain my soul with a lemon pound cake.
So, here you go. I’ve copied the recipe as she wrote it, word for word. If you don’t understand, shoot me a comment. It’ll heat up your house like a sweat lodge and rid you of all impurities.
Old Fashioned Pound Cake
2 cups plain flour
1 cup Crisco
2 cups sugar
5 eggs
2 tbsp Lemon Flavoring
Cream sugar and Crisco. Beat one egg at a time into mixture, alternately adding bits of flour and tbsps of milk. (Add part flour, mix, add 2 tbsp milk, mix. Add rest of flour, mix. Then add rest of milk and flavoring.)
Grease bunt pan and pour in batter. Bake at 300 degrees for 1 hour, or until brown on top.
You might want to put a cookie sheet on the lower rack in the oven to catch anything that drips out.
Serve with vanilla ice cream.